Division of Humanities

Faculty:

Music, one of the original Seven Liberal Arts, is an ideal vehicle for exploring the core values of a liberal arts education. Studying music at Grinnell College not only provides a rich array of performing opportunities, it also allows students to cultivate more diverse skills and modes of inquiry than usually possible at a school of music. Courses in performance, composition, and improvisation train students in the arts of communication and critical thinking through creative expression and careful listening; they also provide hands-on application of concepts learned in other music courses. Conversely, courses in music theory, history, and culture challenge students to apply their musical skills: to mediate between the spoken/written word and the nonverbal world of musical expression, to use musical ideas to interpret data and solve problems, and to place music within intellectual and cultural contexts. Furthermore, as a fundamentally interdisciplinary subject, music can intersect with a vast number of other subjects taught at the College — in the humanities (e.g., art, theatre, dance, languages, literature, philosophy, religion), in social studies (e.g., history, anthropology, economics, gender and women’s studies, education), as well as in the sciences (e.g., physics, mathematics, psychology, computer science). Most of these intersections represent important subdisciplines within the field of music today. With eleven faculty-led ensembles and private lessons in dozens of instruments as well as voice, the Music Department offers students of all levels significant opportunities to hone their musical skills and participate in departmental performances. Entering students generally register for lessons at the 100-level; only the most advanced and motivated first-years will be permitted to take lessons at the 200-level. Since an extra fee is charged for music lessons, MUS 120, 122, 220, 221, and 420 are not counted in the number of credits that determine whether a student has an “overload” (18 credits or above). Entering students can compete for the Curd Scholarship to defray the cost of lessons; auditions are held at the start of the fall semester. Students can also compete for the Hill Scholarship in the spring; winners receive subsidized lessons. Because music lessons are a required part of the major, declared music majors in their third and fourth years are eligible for one free half-hour of music instruction per semester. This may be taken either as a free half-hour lesson (Music 120 or 220) or as a reduced-rate hour-long lesson (Music 221 or 420). Most ensembles require auditions for placement purposes; these take place during the first week of classes in the fall. Individual ensemble directors can provide detailed information on auditions for their ensembles. There also are several ensembles open to those with no previous musical experience. Qualified non-majors are welcome in all classroom-based courses. There are also three 100-level courses designed for non-majors or prospective majors that require no previous background in music. Two are historical/cultural in emphasis: MUS 116 sharpens students’ abilities to interpret music’s complex interplay with other facets of culture, both western and non-western; MUS 110 provides a historical overview of Western classical music. Both courses require extensive listening to and reading, speaking, and writing about music. The third course, MUS 109, teaches the basics of music notation and music theory while developing practical skills. This course lays the groundwork needed for MUS 112/111; it is also recommended for those enrolling in lessons and ensembles. Additional courses that may be open to students with no previous background in music include MUS 201, 202, 203, 204, and 295; these are special-topics courses whose prerequisites change depending on the topic. The music major curriculum provides a solid foundation in the theory and history of Western music, then allows students to explore more specialized topics. Students are encouraged to work with Music Department advisors to develop a coherent curriculum that is tailored to their interests and abilities and leads them toward mastery in a particular area (e.g., music history, music theory, performance, composition, ethnomusicology, jazz studies, etc.). Please note that the 36 credits required for the major (six 4-credit courses, 4 credits of private lessons, and 8 additional credits) represent a minimum; students considering graduate study and/or a career in music will need to take additional coursework. Music majors are expected to participate in a department ensemble for at least two semesters (note that ensemble credits do not count towards the major). It is also recommended that music majors take foreign language courses and participate in a semester of off-campus study. To satisfy the core major requirements and prerequisites in the most efficient way and also obtain the greatest range of specialized advanced courses, music majors should register in the first year for MUS 112/111 and MUS 213/212, then in the second year for MUS 261 and MUS 262. Students who are not yet fluent in reading and notating music (treble and bass clef) should take MUS 109 (fall only) before MUS 112/111. Please note that MUS 112/111 is a prerequisite for most upper-level courses, and both MUS 112/111 and MUS 213/212 (spring only) are prerequisites for required courses MUS 261–262. The music department does not accept AP credit as a substitute for MUS 112.

Major Requirements: 

A minimum of 36 credits. Required are Music 112, 261, 262, one 200-level course in theory or composition (Music 213, 215, or 219), one 200-level course in historical and cultural studies (Music 201, 202, 203, or 204), four credits of private instruction (Music 120, 220, 221, or 420), and at least four credits at the 300 level. Music 109, 110, and 116 do not satisfy major requirements.

Honors: 

To be considered for honors in music, graduating seniors, in addition to meeting the College’s general requirements for honors, graduating seniors must complete Music 420 or a Mentored Advanced Project (499), with results presented in a public forum.

Courses:
Credits: 1
Instructor(s): Staff
Prerequisite(s): Permission of instructor.

The study of musical literature through regular ensemble rehearsals and public performances. One credit awarded for each participation in a musical organization directed by the department, e.g., Grinnell Symphony Orchestra, Grinnell Oratorio Society, Grinnell Singers, Symphonic Concert Band, Collegium Musicum (early music consorts), Young, Gifted, and Black Gospel Choir, Percussion, Marimba and Steel Pan Ensemble, Latin American Performance Ensemble, Chamber Ensemble, Jazz Band, and Javanese Gamelan and Dance. A maximum of eight practicum credits may count toward graduation. Does not count toward music major. S/D/F only. Practicum may be repeated for credit.

Credits: 2
Instructor(s): Damani Phillips
Prerequisite(s): None.

Teaches the basics of music notation (including reading and writing in treble and bass clef) and music theory (including scales and intervals); also develops complementary aural skills. Includes aural and written exercises and creative projects in performance and composition. Prepares students to enroll in MUS 112. Also recommended for those enrolling in music lessons and ensembles.

Credits: 4
Instructor(s): Eugene Gaub
Prerequisite(s): None.

A survey of Western art music from Gregorian chant to postmodernism, intended to enrich and inform listening experience. Examination of musical elements including rhythm, melody, and texture; and consideration of stylistic eras, representative composers, major genres, and forms. Emphasis on developing critical listening skills.

Credits: 1
Instructor(s): Staff
Prerequisite(s): none.
Co-requisite: Normally taken in conjunction with Music 112, this course may also be taken separately.

Development of aural understanding through singing, dictation, conducting, and improvisation. Topics include identification and singing of diatonic intervals and triads, singing of diatonic melodies using “moveable do” solfege, notation of diatonic melodies and chord progressions by dictation, improvisation of short melodic patterns, and basic conducting patterns.

Credits: 4
Instructor(s): Staff
Prerequisite(s): concurrent registration in Music 111.
Co-requisite: Music 111.

The study of how individual chords are combined to create a piece of tonal music. Focuses on developing the ear and analytical/creative skills to enhance appreciation, performance, and compositional imitation of Western music of the 18th and 19th centuries. Required keyboard lab meets outside regular class time. Students enrolling in MUS 112 should be able to read and write music notation fluently in both treble and bass clefs and have a working knowledge of intervals, scales, triads, and major/minor keys. If unsure whether to begin with MUS 109 or MUS 112, please consult the MUS 112 instructor.

Credits: 4
Instructor(s): Roger Vetter
Prerequisite(s): None.

This course explores our globalized musical present and the major forces (social, political, economic, technological) that have shaped it over the last few centuries. Attention is focused on music-making as a form of human activity within and between cultures. Course content ranges over musics of diverse times and places. No prior experience in music is needed.

Credits: 1
Instructor(s): Staff
Prerequisite(s): None.

Private lessons in instrumental or vocal music, intended for beginning to intermediate students. Weekly 30-minute private lessons totaling seven hours of instruction per semester. Practice expectation: minimum of 30 minutes per day. One credit for each area studied, e.g., voice, piano, flute, etc. May be repeated for credit.

Credits: 1
Instructor(s): Staff
Prerequisite(s): None.

Group lessons in instrumental, vocal music, world hand drumming, flute, etc. intended for beginning to intermediate students. Weekly 60-minute small-group lessons totaling 14 hours of instruction per semester. Practice expectation: minimum of 30 minutes per day. One credit for each area studied, e.g., world hand drumming, flute, etc. May be repeated for credit. Does not count toward the music major.

Credits: 4+
Instructor(s): Staff
Prerequisite(s): Consult registration materials for prerequisites.

Detailed study of the relationship between music and a particular aspect of culture. Possible areas to be covered include music and ritual, music and language, music and technology, music and politics, gender and music, and mythology and music. May be repeated for credit if content changes.

Credits: 4+
Instructor(s): Staff
Prerequisite(s): Consult registration materials for prerequisites.

Detailed study of a particular musical tradition in the United States. Possible areas to be covered include rock music, Latino music, music of black Americans, and American popular music. May be repeated for credit if content changes.

Credits: 4
Instructor(s): Roger Vetter
Prerequisite(s): Will vary depending on topic. Consult registration materials for prerequisite.

An exploration of music and its linkages to other facets of life in a particular geographic/cultural region of the world. Possible regional foci include Sub-Saharan Africa, East Asia, South Asia and the Middle East, and Southeast Asia. May be repeated for credit if content changes.

Credits: 4+
Instructor(s): Damani Phillips
Prerequisite(s): None.

The history of jazz traces the development of jazz from its African and European roots to contemporary style. Through reading and listening assignments, major styles and prominent musicians will be discussed. Primarily examines jazz from a sociocultural perspective.

Credits: 1
Instructor(s): Damani Phillips
Prerequisite(s): Music 111 or placement tests.
Co-requisite: Normally taken in conjunction with Music 213, this course may also be taken separately.

Development of aural understanding through singing, dictation, conducting, and improvisation. Topics include identification and singing of chromatic intervals and harmonies, singing of chromatic melodies using “moveable do” solfege, notation of chromatic and modulating melodies and chord progressions by dictation, improvisation of phrase and period structures, conducting patterns, and aural analysis of binary and ternary forms.

Credits: 4+
Instructor(s): Eugene Gaub
Prerequisite(s): Music 112 and concurrent registration in Music 212.

Examines the structure of 18th- and 19th-century music and completes the study of harmony begun in Music 112. Includes critical analysis of entire movements and composition based on tonal models.

Credits: 1
Instructor(s): Staff
Prerequisite(s): Music 111, or 212, or placement test.

Development of aural understanding through singing, dictation, conducting, and improvisation, according to the needs of students as established through a diagnostic exam. Topics may include chromaticism, modes, atonality, and score reading, as well as topics from Music 111 and 212 on which students need additional work. May be repeated once for credit.

Credits: 4+
Instructor(s): Staff
Prerequisite(s): Music 112.

Students learn and apply recent techniques of composition. Expands on the compositional experiences of harmony class by opening students to the exploration of contemporary tonal, serial, and experimental musical styles and dealing with matters of orchestration and music form.

Credits: 4
Instructor(s): Damani Phillips
Prerequisite(s): Music 112.

An integral part of the jazz tradition, improvisation is a necessary skill for the successful performer in the jazz idiom. This course will serve to familiarize the student with the basics of jazz harmony and improvisation, including the reading of chord symbols, basic jazz repertoire, stylizing melody, and the correlation between the ear and performance in jazz. In addition, this course will serve as an introduction to the various styles commonly employed in jazz (including swing, latin, and ballad) and as a means to explore the application of skill in jazz improvisation to the performance of current forms of popular music (rock, pop, funk, etc.). The basics of protocols for performance in a jazz setting will also be covered.

Credits: 4
Prerequisite(s): Music 213.

An introduction to the art of conducting with emphasis on advanced score reading and analysis, fundamental physical technique, rehearsal techniques, and ensemble leadership. Students will have opportunities to conduct ensembles of various types and sizes, including readings with the Grinnell Symphony Orchestra.

Credits: 4+
Instructor(s): John Rommereim
Prerequisite(s): Music 112.

History and techniques of electronic and computer music. Topics include compositional aesthetics, recording technology, digital and analog synthesis, sampling, MIDI (Musical Instrument Digital Interface), and computer-assisted composition. Focuses on the creation of finished works to be presented in public concert.

Credits: 2
Instructor(s): Staff
Prerequisite(s): Permission of instructor.

Private lessons in instrumental or vocal music, intended for intermediate to advanced students. The study of performance combined with considerations of history, analysis, and style. Weekly 30-minute lessons totaling seven hours of instruction per semester. Practice expectation: minimum of one hour per day. Performance requirement: at least one performance in a department-sponsored recital or repertoire class per semester. Two credits for each area studied. May be repeated for credit.

Credits: 2
Instructor(s): Staff
Prerequisite(s): Permission of instructor.

Private lessons in instrumental or vocal music, intended for intermediate to advanced students. The study of performance combined with considerations of history, analysis, and style. Weekly 60-minute lessons totaling 14 hours of instruction per semester. Practice expectation: minimum of one hour per day. Performance requirement: at least one performance in a department-sponsored recital or repertoire class per semester. Two credits for each area studied. May be repeated for credit.

Credits: 4+
Instructor(s): Jennifer Brown
Prerequisite(s): Music 112 and 213.

General survey of Western European music from ancient times through the Baroque era. Stylistic developments considered in their social and cultural contexts and as influenced by artistic and intellectual movements.

Credits: 4+
Instructor(s): Jennifer Brown
Prerequisite(s): Music 112 and 213.

Music in the Western world from the time of Mozart to the present. Stylistic developments considered in their social and cultural contexts and as influenced by artistic and intellectual movements.

Credits: 4+
Instructor(s): Staff
Prerequisite(s): Music 112 and either Music 261 or Music 262.

In-depth study of a particular area of music history and literature. Possible topics include music of the English Renaissance, Baroque improvisation, Mozart’s operas, Beethoven. May be repeated for credit if content changes.

Credits: 4
Instructor(s): Eric McIntyre
Prerequisite(s): Music 112.

This course will focus on practical exercises in arranging pre-existing music for orchestral instruments. Students will learn about the techniques and capabilities of modern orchestral instruments through the study of representative scores, demonstrations of musical instruments by Grinnell students and faculty, and orchestration exercises in a variety of compositional styles from the classical period to the present. Students will learn to use music notation software for producing professional quality scores and parts.

Credits: 4
Prerequisite(s): Music 112.

A study of species counterpoint in the 18th century through analysis and composition, with particular emphasis on the melodic, tonal, and formal structures found in the contrapuntal works of J.S. Bach. Composition assignments include two-part inventions, canons, and a three-voice fugue.

Credits: 4
Prerequisite(s): Music 215.

A course for students who wish to further develop their skills and possibly prepare for graduate study or professional work as composers. In addition to composition assignments, students will engage in thorough analysis of recent works, discussions of compositional aesthetics, and explorations on a broad range of professional topics, including career options, performance opportunities, grant-writing, and commissions.

Credits: 4
Instructor(s): Damani Phillips
Prerequisite(s): Music 112 and 213

This course will serve to familiarize the student with the basic concepts and techniques used in modern jazz composition and arrangement. The most prominent areas covered in this course will include jazz theory and harmony, instrumental transpositions, techniques in part harmonization (starting from two-part and ending with five-part writing), understanding the extended techniques of each instrument and the application of the skills covered in the course to music styles outside of jazz (pop, rock, funk, etc.). These objectives will be reached through detailed study of basic jazz composition and related texts, the listening and transcription of existing arrangements/compositions within the jazz idiom and the practical application of acquired skills in the creation of student compositions and arrangements.

Credits: 2
Instructor(s): Staff
Prerequisite(s): Third-year or senior standing, instructor’s consent, and signature of department chair.

An advanced and intensive study of music literature through private tutorial instruction in a single area of instrumental or vocal music. The study of performance related to advanced studies in criticism, history, analysis, and style. Weekly 60-minute lessons totaling 14 hours of instruction per semester. Practice expectation: minimum of 60 minutes per day. Performance requirement: a full recital. May be repeated once for credit.

Music

Credits: 4
Prerequisite(s): Music 215.

A course for students who wish to further develop their skills and possibly prepare for graduate study or professional work as composers. In addition to composition assignments, students will engage in thorough analysis of recent works, discussions of compositional aesthetics, and explorations on a broad range of professional topics, including career options, performance opportunities, grant-writing, and commissions.

* Indicates courses not offered every year.

A maximum of 16 credits in Music 120, 122, 220, 221, and 420 will count toward graduation.  Credits in Music 101, 120, 122, 220, 221, and 420 may not exceed a total of six in any one semester. Students should note that Music 101, 120, 122, 220, 221, and 420 are included in the 48-credit.