Center for the Humanities
Sites of Creativity
Ross Haenfler, Associate Professor of Sociology, “Lifestyle Movements as Sites of Creativity”
Kathleen Oberlin, Assistant Professor of Sociology, Place and Culture-Making: Geographic Clumping in the Emergence of Artistic Schools”
Benjamin Ridgway, Assistant Professor of Chinese and Japanese, “Scholar-official Gardens as “Sites of Creativity” in Song Dynasty (960-1279) China”
R.S.V.P. required by noon on Monday, April 18 to Jan Graham.
This event is open to all faculty.
Artists to give talks on alternative universities as sites of creativity
Bruce High Quality Foundation University, Vincent Katz to lecture and hold workshop
Artists from the Bruce High Quality Foundation University (BHQFU) and Vincent Katz, a professor of art at Yale University, will give talks on alternative universities as sites of creativity on Wednesday, April 20 at Grinnell College. The free and public talks will take place at 7:30 p.m. in room 101 of the Joe Rosenfield '25 Center, 1115 Eighth Ave., Grinnell.
Earlier that day, the founders of BHQFU will hold a workshop, "B.Y.O.U.: Build Your Own University," in the Masonic Temple downtown, 928 Main St., Grinnell. The workshop on teaching and learning will take place from 1-3 p.m. It is free and open to the public.
The founders of BHQFU will discuss "How to Die an Artist: Resistance and Futility." BHQFU, founded in 2009, is New York's Freest Art School. It provides tuition-free classes, residencies, workshops, exhibitions and public programs to a community of thousands of New Yorkers. The school is an alternative to contemporary art schools that emphasize professionalization.
Katz, a professor at the Yale University of Art, will discuss "Black Mountain College: Finding the Center in the Remote." His lecture will cover the pedagogy of Black Mountain College in terms of its location and locus, especially as related to the college’s later years. He also will discuss Black Mountain’s relevance today, as a model, and also consider parallels to modern remotely-operated web-based experience of culture.
Katz is a celebrated poet, critic, translator, editor and curator. His criticism has been published in numerous books, catalogues and journals, including in "Apollo," "Art in America," "ARTnews" and "Art on Paper," among others. He is also the author of “The Complete Elegies Of Sextus Propertius,” winner of the National Translation Award in 2005.
He has curated several celebrated exhibitions, including an exhibition on Black Mountain College for the Reina Sofia museum in Madrid, and “Street Dance: The New York Photographs of Rudy Burckhardt” for the Museum of the City of New York.
The Center for Humanities is sponsoring these events as part of this year's theme: Sites of Creativity: Streets, Salons, Studios, and Schools.
Presentations on resistance, art, building your own university, and Black Mountain College.
Damon Williams '14 presents "Bigger Than the Cops: Racialized State Violence and the Movement for Black Lives."
Dancers present talk and multi-media performance that bears witness and celebrates lives of poets and artists lost to AIDS.
Celebrate Humanities Day on March 14 to feature former U.S. Rep. Jim Leach
Activities will include Leach's keynote address, student performances and a pub quiz
Grinnell College will mark Celebrate Humanities Day, a daylong series of events to honor the study of the humanities, on Monday, March 14.
The keynote speaker will be Jim Leach, who represented Iowa’s second district in the House of Representatives for 30 years and later served as chair of the National Endowment for the Humanities. Under his leadership, the NEH created a Bridging Cultures program designed to promote understanding and mutual respect for diverse groups within the United States and abroad.
Leach is now chair in public affairs and visiting professor of law in the College of Law at the University of Iowa. His address, titled "Where Politics and Morality Conjoin and Disconnect," will start at 7:30 p.m., in room 101 of the Joe Rosenfield ’25 Center, 1115 Eighth Ave., Grinnell. The speech and all other events during Celebrate Humanities Day are free and open to the public.
This will be Grinnell College’s first Celebrate Humanities Day, which is organized by the college’s Center for the Humanities.
Students will perform at 4 p.m. in Sebring-Lewis Hall of the Bucksbaum Center for the Arts, 1108 Park St., Grinnell.
Student performances include "Choreography as Research" by seniors Rosie Fuqua, Ivy Kuhn and Taylor Watts, and "Indo-Jazz Fusion from Banaras to New York," by senior Vincent Kelley and his band. Kelley, drums and tabla; will be joined by seniors Omri Benami, piano; Tom Earnest, bass; and Jacob Ziontz, viola; along with Grinnell College Assistant Professor of Music Mark Laver, saxophone.
The daylong celebration will culminate in a Pub Quiz trivia night at 9 p.m. in Lyle's Pub, in the basement of the Rosenfield Center.
Activities will include U.S. Rep. Jim Leach's keynote address, student performances, and a pub quiz
An expert discusses the prehistory of imaginary worlds in fantasy and science fiction as a source of modern enchantment.
Today, millions of people throughout the world literally “inhabit" imaginary worlds, often in the company of others, for extended periods of time. But are fans of Sherlock Holmes, the Lord of the Rings, or Worlds of Warcraft merely escaping from reality, or are they learning to see that reality itself is partly an open-ended fiction amenable to revision? This talk will examine the history of imaginary worlds as a source of modern enchantment, encouraging both entertaining escapism and social engagement.
Michael Saler is Professor of History at the University of California, Davis, where he teaches Modern European Intellectual History. He is the author of The Avant-Garde in Interwar England: ‘Medieval Modernism’ and the London Underground (Oxford UP, 1999) and As If: Modern Enchantment and the Literary Prehistory of Virtual Reality (Oxford, 2012). With Joshua Landy, he co-edited The Re-Enchantment of the World: Secular Magic in a Rational Age (Stanford UP, 2009), and he is the editor of The Fin-de-Siècle World (Routledge, 2014). He writes for the Times Literary Supplement, The Nation, The Washington Post and The Wall Street Journal, and is currently working on a history of the modern imagination and its relation to contemporary fantasy and science fiction.