Russian majors and Russian, Central and Eastern European Studies concentrators head out to life after Grinnell.
At Grinnell, all studies take place within a liberal arts framework, focusing on the study of German literature and culture through the contexts of the arts, history, social history, philosophy, and politics.
Many of the English faculty have developed online projects to enhance our teaching.This page highlights a few examples of such projects.
Stephen Andrews has collaborated with Ralph Russell of the music department and technologists David Berk and Munindra Khaund to create a multimedia edition of The Souls of Black Folk: Essays and Sketches.
Grinnell’s “freelance film students” win recognition at the Society for Cinema and Media Studies National Undergraduate Conference.
Oakley explains how funerary art illustrates classical Athenian perceptions and reactions to death.
The Ninth Semester Fellowship in Studio Art is a competitive opportunity for continued independent research in the semester immediately following graduation. This fellowship provides financial support, studio space, time, and faculty feedback for a semester of creative research in preparation for graduate or professional work. In return for these benefits, the Ninth Semester Fellow assists the Department of Art through various tasks, such as helping install student art exhibitions, and studio lab monitoring.
Srinivas is a Professor of English and Dean of the Humanities at Duke University. He has also served as President of the CHCI (Consortium of Humanities Centers and Institutes).
The Alumni Recitation Hall contains classrooms for classes in the Social Studies and Humanities, as well as faculty offices for departments of foreign languages and Classics. The facilities also include a 158-seat screening auditorium, the multipurpose Meredith AudioVisual Center, and an additional computer lab with multiple printers for both classroom and general student use.
Internationally acclaimed flutist Nina Assimakopouloshas been hailed as "...a marvel!" (Münchner Merkur), and a versatile virtuoso with a "dramatic sense of pacing" who demonstrates "not just perfect technique and total breath control but supreme intelligent, elegant phrasing; broad tone color; lyricism; a full range of dynamic expression; and above all STYLE that paints the differences from Bach to Bartok..." (American Record Guide).