Curated by twelve students and Assoc. Professor fo Art, Susan Strauber, this catalog is the product of a semester-long seminar culminating in a four-week exhibition. The catalog includes eight essays by the student curators, a timeline of Goya's life and current events, and a selected bibliography. Essays are illustrated with 30 bl/wh reproductions. Checklist contains thumbnail images of all 80 prints.
For Phoebe Washburn's Faulconer Gallery installation in the summer of 2003, she recycled pieces used from a previous installation. Washburn created a 14-foot tall and 95-foot long curved wall using only small cardboard pieces, drywall screws, and the help of volunteers. To Washburn, her art breaks down the elements of construction to the most basic form. In her words, the process and completed object is so dumb - yet hopefully something amazing emerges from it. 2003.
Catalog for the exhibition From the Book Forest: Commercial Publishing in Late Imperial China, featuring works from the C.V. Starr East Asian Library, University of California, Berkeley. With an essay by Deborah Rudolph, Guest Curator.
Inspired by the end of the Soviet occupation in 1994, Kay Wilson, Curator of the Print and Drawing Study Room, and John Mohan, Professor of Russian, traveled to Estonia to discover art that reflected major social and political change. They found art inspired by Estonian history and landscape indicating a powerful national renewal. The exhibition and catalogue represent the works of 17 Estonian artists and one artist collective, Studio 22, through individual biographies and color reproductions.
Curious about the state of modern sculpture, and specifically organic forms in sculpture, this exhibition invites exploration into a transformation of forms. Curator Lesley Wright writes in the introduction, Nature persists but in various states depending on the particular human filters applied by the artist. In our virtual world, it is the energy of nature that continues to fascinate, and it's the aspect that these sculptors, as creators, continue to try to harness. After all, without energy inside, there is no life.
As part of the Exhibition Seminar course offered at Grinnell College, fourteen students worked with guest curator Victoria Rovine to organize the exhibit and write the catalog. The catalog provides information on sculptures, masks, drums, and other objects from the college's permanent collection that were used for this exhibit.
Jerry Greenfield delivers the keynote speech at the Grinnell Prize Symposium in November 2012.
Credit: Blur MediaWorks
>> PRESIDENT KINGTON: Good Evening. As President of Grinnell College I am pleased to welcome you to the presentation of the 2012 Grinnell College Young Innovator for Social Justice Prize Winners.
While we were spending a lot of time on the back-end of our web management, our site grew, organically, freely, and not necessarily coherently. So we decided to take the next, long overdue step: to look what the actual user experience. Normally, people are scared of the audits and the consequences they might bring. We were different. We were begging for our audit. We wanted someone with hands on, real world experience to look at our site and the ways we use it.
Early Days at Grinnell