Home » Faulconer Gallery

Faulconer Gallery

Dark Commander

“Dark Commander: The Art of John Scott” opened in the Faulconer Gallery Friday, Oct. 10, with a conversation with the artist and Faulconer Gallery curator Daniel Strong. It runs through Dec. 14, 2014.

This retrospective is the first exhibition in the United States for Scott, who received the prestigious Governor General’s Award in Visual and Media Arts, Canada's highest arts honor, in 2000.

The exhibition reveals Scott's lifelong fascination with machines as it evolved from his working-class roots in Windsor, Ontario, just across the Ambassador Bridge from Detroit, through an era that has seen both rapid technological innovation and almost continuous high-tech warfare.

For 40 years, Scott has remained consistent and eerily prescient in raw-edged drawings and found-object installations that plot a vector from the optimism of NASA to the voyeurism of the NSA. "If you look at his work from the 1980s and ’90s, much of it could be made next year," Strong says.

Scott’s hard-edged work is influenced by artists as diverse as the Spaniard Francisco Goya (1746-1828) and the German Expressionists of the early 20th century. Goya and German Expressionists are well represented in the Grinnell College Art Collection. One of the icons of Scott's work, the inspiration for the exhibition's title, is the "Dark Commander," an oversized and imperious Napoleonic figure that recurs in his work along side anxiety-driven bunny-men, jet fighters and hybridized motorcycles, one of which has been borrowed from Scott's hometown museum, the Art Gallery of Windsor.

The exhibition coincides with a campus-wide focus on the centenary of World War I, "A Century of War: 1914 and Beyond," sponsored by the College's Center for the Humanities.

“Dark Commander: The Art of John Scott” is open through Dec. 14. Gallery hours are 11 a.m. to 5 p.m. daily, and admission is free.

Exploding the Binary

Tweeting, the Inez Louise Henely 1914 Best in Show-winner at the 2014 Bachelor of Arts Exhibition (BAX), is a series of 14 pieces of handmade paper with watermarks of text from Twitter.

The artist, Delia Salomon ’14, explains what led her to create this work. “When I learned how to make paper in Chemistry of Artistic Materials, I was fascinated by how it was originally a hand-made process.” The juxtaposition between the instantaneous nature of modern social media and the lengthy, laborious process of papermaking struck her.

Although Salomon is a prize-winning artist, her major is based in the Noyce Science Center rather than the Bucksbaum Center for the Arts. Her parents’ artistic natures rubbed off on her, but in the academic world she was drawn to science. That’s not to say that she necessarily sees art and science as a binary with a gulf in between. After she came to Grinnell and started studying both more, she realized that “the artistic process and the scientific process are pretty similar, and I think a lot of people don’t realize that.”

“Developing both an artistic and a scientific way of thought has helped me immensely. Even in a science class, my experience with art — making art — reminds me that there are other people out there, which is easy to forget when you’re doing science,” Salomon says.

Grinnell provides a climate that encourages students to stretch, whether that means participating in sports, playing music, or taking a class in an unfamiliar discipline.

Salomon sees art as a practice and a mode of thought that connects her with the rest of the world. “My professors always say ‘art doesn’t exist alone.’” Art helps Salomon appreciate and understand why she pursues science. Both the scientific and artistic perspectives are useful in gaining perspective on the world. “Art and science used to be very closely tied — the study of anatomy, for example,” she says. “Each uses different tools, but both demonstrate a desire to understand the world around us.”

During her semester abroad in Valparaiso, Chile, Salomon found that not all colleges support work in multiple disciplines the same way Grinnell does. An art professor in Chile asked Salomon what her major was, and when she said it was biology, he laughed. Salomon said that she gained a great deal from the experience of studying abroad, but it also gave her an increased appreciation for how supportive Grinnell’s professors are. She is especially grateful to professors Jeremy Chen and Lee Running. Both encouraged her in her artistic pursuits and pushed her when she was hesitant to submit an entry for BAX.

Looking to the future, Salomon plans to serve in the Lutheran Volunteer Corps, with a placement in San Francisco. She intends to use her free time to train to swim the English Channel, a feat she first attempted at the age of 16.

BAX is an annual professional exhibition of mature student works in the creative arts, including visual and performing arts. It is held towards the end of each academic year in Faulconer Gallery.   

Tweeting by Delia Salomon '14, Grinnell College's best in show BAX winner 2014

Bachelor of Arts Exhibition

The annual Bachelor of Arts Exhibition (BAX), formerly the Annual Student Art Salon, begins April 11 in Faulconer Gallery. BAX is a professional exhibition of mature student works in the creative arts, including visual and performing arts.

Student Organized

Student organizers include:

  • Remy Ferber ’14,
  • Hannah Safter ’14,
  • Hannah Fiske ’14,
  • Eden Marek ’15, and
  • Becky Garner ’15.

These students distributed guidelines to student artists, selected the juror, worked with the budget for prizes and juror expenses from endowed funds, and called for entries. During the exhibition, they will manage the delivery of works of art, provide a checklist of work for the show to gallery staff, and supervise the design of the announcement card including printing, mailing, and other distribution.

Milton Severe, director of exhibition design at Faulconer Gallery, designs the exhibition. Lesley Wright, the gallery director, coordinates BAX with the students.

Featured Artists

This exhibition will feature works by:

  • Kathlyn Cabrera ’14,
  • Danielle DeSantes ’15,
  • Daniel Ehrlich ’14,
  • William Elsas ’14,
  • Martin Estrada ’14,
  • Hannah Fiske ’14,
  • Becky Garner ’15,
  • Amy Linder ’14,
  • Nathan Kim ’16,
  • Eden Marek ’15,
  • Patricia Murphy-Geiss ’14,
  • Martha Orlet ’15,
  • Na Chainkua Reindorf ’14,
  • Delia Salomon ’14,
  • Gavin Warnock ’14, and
  • Julissa Zamora ’15.

A site-specific installation with sound will be presented by the team of:

  • Brian Buckley ’14,
  • Dylan Fisher ’14,
  • Mike Maiorana ’12,
  • Eden Marek ’15,
  • Leah Meyer ’15, and
  • Patty Murphy-Geiss ’14.

Students performing during the opening will be:

  • Chloe Pachovas ’14,
  • Austin McKenney ’15,
  • Samanea Hunter-Karrfalt ’14,
  • Mekdes Kebede ’14, and
  • Lainie-Ruth Benedict ’15.

Prizes

Benedict Heywood, executive director of The Soap Factory in Minneapolis, will select the yearly prizes in studio art. The Division of Student Affairs and the Student Government Association will award purchase prizes as well.

Schedule of Events

During the BAX, Faulconer Gallery will host the following events:

Thurs., April 10, noon
“Making Art for the Midwest: The Soap Factory, Minneapolis,” a talk by juror Benedict Heywood, executive director of The Soap Factory, Minneapolis in Bucksbaum Room 152.
Fri., April 11, 5 p.m.
Opening reception. Benedict Heywood and others will announce awards, and refreshments will be served.
Sat., April 12, 1:30 p.m.
Community Day. Tour the exhibitions, complete a scavenger hunt, enjoy printmaking, and create sculptures from shoes. All are welcome, and refreshments will be served.
Wed., April 16, 7:30 p.m.
Spring harp recital. Under the direction of Kristin Maahs, applied music associate.
Thurs., April 17, 7:30 p.m.
Fresh flutes concert. Under the direction of Claudia Anderson, applied music associate.
Wed., April 30, 4:15 p.m.
Sharing Complex Conversations,” a talk by curator Patterson Sims, president of the Board of Independent Curators International.

The BAX is open through May 4. Gallery hours are 11 a.m. to 5 p.m., seven days a week, and admission is free.

Happenstance Theater

Happenstance Theater will perform IMPOSSIBLE! A Happenstance Circus at 7:30 p.m. Saturday, April 5, in Roberts Theatre in the Bucksbaum Center for the Arts.

The professional company committed to devising and producing original, performer-created, visual, poetic theater. In the last eight years, the sextet of performers has devised 20 new works.

An homage to circus characters and images from the 1930s and 40s, IMPOSSIBLE! is a theatrical collage set against the backdrop of hard times.

After Saturday’s performance, founding members Sabrina Mandell and Mark Jaster will remain on campus to continue work on their Pinot & Augustine clown duo and offer three workshops related to mime and clown performance.

The Pinot & Augustine workshops will be:

  • A physical comedy class from 4:30-6 p.m. Monday, April 7
  • An open rehearsal from 4:30-6 p.m. Tuesday, April 8
  • An informal performance from 4:30-6 p.m. Wednesday, April 9

Mandell and Jaster will attend and participate in four theatre and dance classes.

The pair will also give a presentation, “Art as Spark: Igniting Devised Theatre Inspired by Visual Art,” in the Faulconer Gallery at noon on Tuesday, April 8.

All Happenstance events are open to the Grinnell students, staff, faculty, and community members, and no experience is necessary to attend the workshops.

This residency was organized by Artists@Grinnell, post-baccalaureate fellow Caleb Neubauer ’13, and Lesley Wright, director of the Faulconer Gallery. Artists @Grinnell is made possible through an Innovation Fund grant.

Complex Conversations: Willie Cole Sculptures and Wall Works

On Friday, April 4, Faulconer Gallery will welcome “Complex Conversations: Willie Cole Sculptures and Wall Works,” curated by Patterson Sims, an independent art curator, writer, and consultant based in New York. Grinnell College’s Faulconer Gallery is the exhibition’s fourth of five college and university stops.

There will be a number of events in conjunction with this exhibition, including gallery talks with Willie Cole on April 4 at 4:15 p.m. and members of Happenstance Theater on Tuesday, April 8, at noon.

The realities of inner-city African-American life and his immediate family have laid the groundwork for the sculptures, paintings, drawings, and prints of Willie Cole. Cole, who grew up in post-industrial Newark, sees himself as an “urban archaeologist.” He draws inspiration from traditional African art to create contemporary works in many media.

Cole transforms mass-produced objects into precious icons or symbolic representations to examine race, history, and belief systems. His artwork has engaged in a continuous conversation with national identity and world culture through shifting themes, from the personal to the universal and his African-American Baptist heritage to international, pan-spiritual perspectives.

Faulconer Gallery will host the following public events during “Complex Conversations: Willie Cole Sculptures and Wall Works”:

  • Mondays and Thursdays, March 31 – May 15, 12:15 p.m.: Yoga in the gallery for beginners and experienced practitioners. Co-sponsored by Live Well Grinnell. Mats are provided.
  • Fri., April 4, 4:15 p.m.: Gallery talk with artist Willie Cole. Co-sponsored by the Grinnell College Black Alumni Weekend.
  • Fri., April 4, 5 p.m.: Opening reception. Willie Cole will be present, and light refreshments will be served. Co-sponsored by the Grinnell College Black Alumni Weekend.
  • Tues., April 8, noon: Gallery talk with Happenstance Theater. Performers will discuss how they would engage with an exhibition through theatre, using “Complex Conversations: Willie Cole Sculptures and Wall Works”.
  • Sat., April 12, 1:30 p.m.: Community Day. Tour the exhibitions, complete a scavenger hunt, enjoy printmaking, and create sculptures from shoes. All are welcome, and refreshments will be served.
  • Wed., April 16, 7:30 p.m.: Spring harp recital under the direction of Kristin Maahs, applied music associate.
  • Thurs., April 17, 7:30 p.m.: Fresh Flutes concert under the direction of Claudia Anderson, applied music associate.
  • Wed., April 30, 4:15 p.m.: “Sharing Complex Conversations.” Gallery talk with curator Patterson Sims, president of the Board of Independent Curators.

“Complex Conversations: Willie Cole Sculptures and Wall Works” is open through June 1. Gallery hours are 11 a.m. to 5 p.m., seven days a week, and admission is free. The gallery will be closed for Memorial Day.

Faulconer Gallery is located in the Bucksbaum Center for the Arts at 1108 Park St. For more information about the exhibitions and related programs, call 641-269-4660 or visit www.grinnell.edu/faulconergallery. Information on parking and accessibility is available on the college website. Accommodation requests may be made to Conference Operations at 641-269-3235 or calendar[at]grinnell[dot]edu.

Traditional Forms, Contemporary Techniques

Jill Davis Schrift, lecturer in art, explains how she combines traditional forms with contemporary techniques to create the texture on the vases displayed in her exhibition Works of Clay.

In her second solo exhibition at the Faulconer Gallery, Schrift creates ceramic work to transform and enrich the daily routine of eating and drinking to an artful experience. Works of Clay is on display through Sunday, March 16, 2014.

Schrift has been a lecturer in art at Grinnell College since 1988, teaching ceramics, drawing, and introduction to the studio. Past exhibitions have included her pastel drawings of the annual Paris beach at the Bibliothèque Marguerite Audoux, Paris; collages at Les Vergers de l’Art, Paris; and pastel drawings, collages and ceramic work at the Grinnell (Iowa) Regional Medical Center and at the Grinnell Arts Center.

Artist to speak about his work on Tuesday

New York artist Greg Smith returns to Grinnell for a gallery talk on Tuesday, February 25 at 4:15. Smith’s two video installations are currently on view in Faulconer Gallery (through March 16). Both videos, Loop and Breakdown Lane, concern the artist as an ‘artifice mechanic,’ working with a car to change the driving, and breakdown, experiences. Smith developed the exhibition in January out of the materials used to make the videos. His videos and his installations challenge how we think of time spent behind the wheel and the work of creating art in any context.

Smith will be joined by Susan Inglett, long-time gallery owner in New York City from whom the Faulconer Gallery staff members have purchased a number of works of art. Smith and Inglett will meet with classes and with individual students while they are here, giving students access to professionals in the art world as they chart their own careers. Smith’s history is particularly instructive, since he has a Ph.D. in physics from Harvard University, but changed direction to art while in grad school. Life, like the experiences depicted in his art, rarely goes as planned! Stop by to hear his talk and ask your questions.

New Year, New Exhibitions

 

“Works in Clay” by Jill Davis Schrift, lecturer in art, and “Quality Uncertainty: The Market for Lemons” by New York-based artist Greg Smith will be on display in the Faulconer Gallery from Friday, Jan. 24 through Sunday, March 16.   

About “Quality Uncertainty: The Market for Lemons”

Smith draws inspiration from Nobel Prize-winning economic research, American car culture, and classic “road movies” for this video installation. Smith’s videos and installations pivot around machines and hand-made devices with precise engineering and haphazard artfulness, creating an ideal customized vehicle. 

Smith received his Ph.D. in physics from Harvard University before pursuing a career as an artist. He is the recipient of a 2013 Guggenheim Foundation Fellowship based on his proposal for “Breakdown Lane.” Comprised of his makeshift cameras, plastic lawn furniture, a bathtub, and a used Lexus ES300, the work will have its debut at the Faulconer Gallery – one of two video installations on view.

About “Works in Clay”

In her second solo exhibition at the Faulconer Gallery, Schrift creates ceramic work to transform and enrich the daily routine of eating and drinking to an artful experience. In the vase series, Schrift brings together traditional vessel forms with contemporary techniques to activate the surface of clay. 

Schrift has been a lecturer in art at Grinnell College since 1988, teaching ceramics, drawing, and introduction to the studio. Past exhibitions have included her pastel drawings of the annual Paris beach at the Bibliothèque Marguerite Audoux, Paris; collages at Les Vergers de l’Art, Paris; and pastel drawings, collages and ceramic work at the Grinnell (Iowa) Regional Medical Center and at the Grinnell Arts Center. 

Public Events

Faulconer Gallery will host the following public events during the joint exhibition:

  • Fri., Jan. 24, 4:15 p.m.: Opening reception. Light refreshments served.
  • Mondays and Thursdays, 12:15 p.m.: Yoga in the gallery for beginners and experienced practitioners. Co-sponsored by Live Well Grinnell. Mats are provided. 
  • Sat., Feb. 1, 1:30 p.m.: Enjoy making functional and playful clay forms at Community Day with artist Jill Davis Schrift, view a demonstration by Schrift, and tour the exhibitions. 
  • Thurs., Feb. 6, 4:15 p.m.: A roundtable discussion with Elizabeth Graver, professor of English at Boston College, and author of “The End of the Point.” A reading from Graver will follow at 8 p.m. Sponsored by Writers@Grinnell.
  • Thurs., Feb. 20, 4:15 p.m.: In “Objects of My Affection,” artist Jill Davis Schrift will talk about the development of her work over time. 
  • Tues., Feb. 25, 4:15 p.m.: Artist Greg Smith will discuss the relationships between the process, the content, and the structure of his piece “Breakdown Lane.”

Gallery hours are 11 a.m. to 5 p.m., seven days a week, and admission is free. Faulconer Gallery is located in the Bucksbaum Center for the Arts.

Students Provide Expertise in Wunderkammer Exhibit

 

Students in Museum Studies (Art 260) will explore works in "From Wunderkammer to the Modern Museum, 1606-1884" as significant examples from a past age, and as precursors to museum practices as we know them today.

Each student will be stationed by her display case and audience members can move from one to another, learning more and asking questions at 4:15 Tuesday, Dec. 3 in the Faulconer Gallery.

The student presenters are:

  • Elizabeth Allen ’16 (art history),
  • Sarah Burnell ’14 (anthropology),
  • Elle Duncombe-Mills ’16 (gender, women's, and sexuality studies),
  • Hanna Feldman ’14 (political science),
  • Ellie Garza ’14 (psychology),
  • Sarah Henderson ’16 (undeclared),
  • Elli Jung ’16 (undeclared),
  • Courtney Martin ’15 (anthropology/theatre),
  • Adriyel Mondloch ’14 (anthropology),
  • Pauline Poon ’14 (English),
  • Becca Rea-Holloway ’15 (religious studies),
  • Emma Vale ’16 (art), and 
  • Anya Vanecek ’15 (anthropology).

The class is under the direction of Lesley Wright, director of the Faulconer Gallery and lecturer in art.

Books Breaking the Cycle of Slavery

Step into the Rosenfield Lobby on Dec. 6, and you’ll find a special kind of book sale.

The 2012 Book Sale

During her fellowship with 2011 Grinnell Prize winner James Kofi Annan’s organization, Challenging Heights, Tilly Woodward, curator of academic and public outreach, found a wonderful way to empower child slavery survivors — teaching them to create books.

“I wanted kids to have a special place of their very own to write and draw,” says Woodward. "The director, Madam Linda, wanted a second book that could be sold to donors, giving children money for their schooling when they left the shelter.” Before she left Ghana, Woodward trained the shelter director and house mothers how to marble paper and make books.

When Linda Ludwig, technology services desk team lead, came back from her fellowship at Challenging Heights this summer, Woodward was thrilled to learn the tradition continues.

“[Ludwig] brought me over 90 books made by children at the shelter,” Woodward says. “These are children who are new at the shelter since my time in Ghana, so it was really gratifying to see bookmaking continue.”

The books — handsewn blank journals — will be on sale from 10:30 a.m. to 6:30 p.m. Friday, Dec. 6, in the Rosenfield Lobby.  The minimum price is $5 per book; higher payments accepted. The money goes towards the book-creator's education. “There is no free education in Ghana, and education is one of the key factors in ending the cycle of child slavery,” says Woodward.