We are pleased to announce that scholarships for music lessons for the 2016-17 academic year are available to qualifying students. Students will receive a credit for a music lesson scholarship on their billing statement at the end of the add/drop period each semester.
Grinnell College studio art students will present their art and give short artist talks at free, public events throughout May in the Make/Shift Space at 928 Main St., Grinnell.
The exhibition "Formulations," which includes new artwork from Grinnell College studio art classes, will open at 5 p.m. Wednesday, May 11, in the Make/Shift Space. It will feature works in various mediums, including collages, 3D printing objects, drawings, sculptures, and more:
- Color Construction by Introduction to the Studio students and new work by Print Media students, taught by Matthew Kluber, associate professor of art
- Collages from Mixing Forms, taught by Andrew Kaufman, associate professor of art
- 3D Printing Objects from Introduction to Sculpture, taught by Jeremy Chen, assistant professor of art
- Drawings from Introduction to Drawing, taught by Chen
Also on May 11 — the opening day of "Formulations " — the Make/Shift Space will host "140 Seconds," featuring 13 fast-paced artist talks, starting at 7 p.m. Grinnell College students enrolled in a site-specific studio art seminar taught by Associate Professor of Art Lee Emma Running will each give a 140-second artist talk accompanied by six images of their choice.
The last Make/Shift Space exhibition of the semester, "Beautiful Sunset," will open from 4 to 6 p.m. on Thursday, May 19. The exhibition will feature artwork by graduating seniors. The range of work includes painting, drawing, print media, sculpture, installation, video, and performance. Most of these works will be on display through Tuesday, May 24.
Grinnell welcomes and encourages the participation of people with disabilities. Accommodation requests may be made to Conference Operations and Events.
Grinnell College's studio arts faculty will conduct a free and open studio event on Saturday, April 23, for people of all ages and skill levels interested in creating drawings and collages.
The event, which is free and includes all materials, will run from 1 to 3 p.m. at Make/Shift Space, 928 Main St., Grinnell.
Make/Shift Space is a temporary downtown space for Grinnell College art students and faculty to hold rotating exhibitions, offer workshops for the community, and work on art in an off-campus setting.
Ivanka Hahnenberger, managing director of Ireland-based VIP-Licensing, will visit Grinnell College to give a reading on Wednesday, May 4.
The reading, which is free and open to the public, is titled "Options and Selections: The Trials of a Translator." It will begin at 7:30 p.m. in the Faulconer Gallery, Bucksbaum Center for the Arts.
Hahnenberger, who has lived and worked in several countries around the world, now resides in Paris. Her experience spans multiple industries and business types, but always in an international forum. She is experienced in international investment banking, advertising, feature, live broadcast and animation co-productions, digital start-ups, rights management and more.
She also has managed large international divisions, as well as digital start-ups, including one that was sold to Google.
Currently she is managing director of VIP Brands — a licensing company based in Ireland — that focuses on bringing international graphic novels and comics to North America. This project includes translating comics, graphic novels, fiction, non-fiction and much more — including a New York Times bestseller.
Having spent part of her childhood in Switzerland, Hahnenberger has a love for BDs, an abbreviation of bandes dessinées (literally drawn strips) first created for Belgian French audiences. This has led to her dedication to bringing European content to the U.S., which has resulted in the launch of four graphic novel and comic imprints, one publishing company based on European content, as well as two New York Times bestsellers.
Grinnell welcomes and encourages the participation of people with disabilities. Bucksbaum Center for the Arts has accessible parking in the lot behind the building north of Sixth Avenue. Accommodation requests may be made to Conference Operations and Events.
These Heavy Sands, a concert of new and recent music by John Rommereim, Blanche Johnson Professor of Music, will be presented at 4 p.m. Sunday, April 17, in Herrick Chapel.
The concert, which is free and open to the public, includes four world premieres:
- Together with the Voca String Quartet, soprano Rosie O’Brien ’16 will perform the premier of the featured work on the program: “These Heavy Sands Are Language,” with text by James Joyce.
- The premiere of two songs will be sung by Rommereim with pianist Marlys Grimm: “The Gift” (text by Louise Erdrich) and “Elegy for a Walnut Tree” (text by W. S. Merwin).
- Grimm, the College organist, will premiere “Veritas and Humanitas,” a piece written for the College’s annual commencement and reunion celebrations.
Jazz saxophonist Mark Laver, assistant professor of music, will join with Rommereim to present improvisatory music for saxophone and piano. In addition, Laver will accompany the ensemble in a performance of Rommereim’s “Amara [grace].”
Flutist Claudia Anderson will perform “Weather Conversations,” a work for flute and electronics co-composed with Rommereim.
The Voca String Quartet will also perform “Illimitable Distance” from Rommereim’s 2004 string quartet, and selections will be offered from Rommereim’s chamber opera, “Rheingold,” a reimagining of Wagner’s opera commissioned by the Taiwan Ministry of Culture and performed with Craig Quintero’s Riverbed Theatre in Taipei in 2014.
Grinnell welcomes and encourages the participation of people with disabilities. You can request accommodations through Conference Operations and Events.
About John Rommereim
Rommereim conducts the Grinnell Singers and the Grinnell Oratorio Society and he teaches composition. He has conducted the Grinnell Singers on concert tours across the country and in Estonia, Finland, Russia, the Czech Republic, Bulgaria, Romania, and Turkey.
Rommereim’s choral works have been performed by distinguished ensembles across the United States, including Magnum Chorum, the Princeton Singers, VocalEssence, Voces Novae, Roomful of Teeth, and The Rose Ensemble, for which he served as 2008-09 composer-in-residence.
The New York Times praised the “richly expressive” character of his work for voice and piano, “Into the Still Hollow (2006).” In addition to his numerous choral works, Rommereim has composed a chamber opera, songs, electronic music, and works for piano, organ, guitar, flute, saxophone quartet, brass quintet, and string quartet.
A singer, songwriter and guitarist, Stamey also has been a cowboy, a mule packer, a dude wrangler, and is now one of the most popular Western entertainers working today. His "Vaquero Song" is widely considered one of the best Western songs of all time.
The performance will begin at 7:30 p.m. in Herrick Chapel. No tickets are required for this event, which is free and open to the public.
Stamey also will conduct a songwriting workshop from 4:15 to 5:45 p.m. Friday, April 15, in Bucksbaum Center for the Arts, Room 103. The workshop, which is free and open to all, offers a great chance to talk with Stamey and learn about the art and business of songwriting.
In 2010, 2011, and 2013, Stamey was named True West Magazine's "Best Living Western Solo Musician." The Western Music Association has voted Stamey Entertainer of the Year seven times, Male Performer of the Year six times, and Songwriter of the Year five times. He also received the Will Rogers Award from the Academy of Western Artists.
Stamey says he has long dreamed about it, but this will be his first time performing with a symphony orchestra, said Grinnell Professor of Music Eric McIntyre who directs the Grinnell Symphony Orchestra. Stamey will sing 10 of his songs that McIntyre has arranged for orchestra.
"The orchestra has a long history of performing with soloists and ensembles that are not from the standard classical tradition," McIntyre said. "These include collaborations with Grinnell College's Young, Gifted and Black gospel choir, Jazz Ensemble, a hip-hop DJ narrator, and even a traditional German Oompah band.
"This performance will be the first time the orchestra has worked with a singer/songwriter," McIntyre added. "It is a wonderful opportunity to expand our range of styles and savor the experience of working with a popular artist."
McIntyre noted that Stamey has a big following and that the College has received inquires from people who plan to travel to Iowa to hear Stamey perform with an orchestra.
"It's going to be an amazing show," he said. "We recommend that people come early to get good seats."
The Grinnell Symphony Orchestra is comprised of student musicians representing all disciplines within the College who are unified by a love of music and a dedication to the art of orchestral performance.
Grinnell welcomes and encourages the participation of people with disabilities. You can request accommodations from Conference Operations and Events.
The Grinnell Singers, the College's premier choir, will perform in six cities during a concert tour of Kansas, Colorado, and New Mexico during the week leading up to Easter. The concerts, which will take place from March 19-25, are open to the public.
Directed by Lecturer in Music Ben Luedcke, the choir will sing motets by Francis Poulenc, Eric Whitacre and Knut Nystedt written specifically for Maundy Thursday and Good Friday.
A string quartet of Grinnell College students will join the Grinnell Singers to perform a sacred work for strings and choir by Joseph Haydn. The choir also will present sacred works by Orlando Gibbons, Maurice Duruflé and Hubert Parry.
The 38-voice Grinnell Singers will round out the program with some part-songs and spirituals, including pieces celebrating Spanish dance and butterflies.
The Grinnell Singers have toured Finland, Estonia, Russia, and Turkey. The choir has produced two recordings, including a CD of Rachmaninoff's "All-Night Vigil," which was praised for its "consummate artistry" by Iowa Public Radio.
Free-will donations will be accepted at all of the concerts, which start at 7:30 p.m.:
- Saturday, March 19, at Asbury United Methodist Church, 5400 W. 75th St., Prairie Village, Kansas.
- Sunday, March 20, at Cathedral of the Plains — Basilica of St. Fidelis, 900 Cathedral Ave., Victoria, Kansas.
- Monday, March 21, at First Congregational Church of Boulder, 1128 Pine St., Boulder, Colorado.
- Tuesday, March 22, at Green Mountain United Methodist Church, 12755 W. Cedar Drive, Lakewood, Colorado.
- Wednesday, March 23, at Immaculate Heart of Mary Chapel, 50 Mount Carmel Road, Santa Fe, New Mexico.
- Friday, March 25, at First Christian Church, 16 E. Platte Ave., Colorado Springs, Colorado.
Grinnell College has leased the vacant main floor of the Masonic Temple at 928 Main St. in downtown Grinnell, for March, April, and May. During this time, art faculty members will teach several classes. Students will develop a variety of works and installations, then showcase them during pop-up shows.
The first pop-up show at Make/Shift Space will feature works by students in an advanced seminar on Site Specificity and in Intro to Sculpture. Set for Thursday, March 17, the event, which is free and open to the public, will run from 5 to 7 p.m.
The lease with the Masonic Lodge, which occupies the upper floor of the 99-year-old brick building, provides about 5,000 square feet. The new space will give students the opportunity to spread out and create installations and other large works that will not fit in the Art and Art History Department's current facilities in the Bucksbaum Center for the Arts.
"The Make/Shift Space offers students a valuable opportunity to have their work away from a formal academic setting and out in front of the public," said Matthew Kluber, associate professor of art and chair of the department. "It changes they way they see the relationship of their work and ideas to the wider world — they begin to see themselves as artists."
Additional pop-up exhibitions featuring works from an introductory course, a collage course, and other studio classes as well as free workshops for community members of a variety of ages will be scheduled throughout the rest of the spring semester. Possible workshops and demonstrations include 3D printing, "Re-Mix: Collage as Cultural Practice," screenings of videos made by art students, talks by student artists, and drop-in-and-draw sessions.
"It's exciting to gain such a large space downtown, where we will have high visibility on Main Street," said Jeremy Chen, assistant professor of art. "We are happy to be activating a quiet space that has been vacant for more than two years, and we want to involve local residents in this new venture.
"For example," Chen added, "we want passersby to stop and look into the large, storefront windows to watch students creating works of art. Having a public audience will inspire our students and elevate their projects."
All studio faculty and staff of the Art and Art History Department have been invited to make use of the Masonic Temple. In addition to Chen and Kluber, faculty and staff members initially working there will be Andrew Kaufman, associate professor of art; Lee Running, associate professor of art; and Andrew Orloski, studio art technician.
About four years ago Chen's sculpture class conducted pop-up shows at two downtown locations, 925 Broad St. and the basement of 800 Fourth Ave. The space was donated by Bill Rozendaal of Rozendaal Rentals and Bruce Blankenfeld of Westside Diner, and arranged through local real estate agent Matt Karjalahti. "It was a wonderful experience for the students," Chen recalled. "We had more than 100 people attend the show. We are eager to expand on that success in our new and larger venue in the Masonic Temple."
John Kalkbrenner, assistant vice president for auxiliary services and economic development at Grinnell College, negotiated the lease for the Masonic Temple space. Although no plan beyond the three-month rental has been made for a more permanent College space downtown, he said, "We are treating this as an experiment. The studio art faculty will be tracking usage and other factors that will help us determine whether this pilot program is successful."
Grinnell College welcomes and encourages the participation of people with disabilities. Make/Shift activities open to the public all happen on the first floor of the Masonic Temple Building. Visitors are encouraged to use downtown street parking. Accommodation requests may be made to Grinnell College Conference Operations and Events.
Grinnell College will mark Celebrate Humanities Day, a daylong series of free, public events to honor the study of the humanities, on Monday, March 14.
U.S. Rep. Jim Leach will present the keynote, "Where Politics and Morality Conjoin and Disconnect," at 7:30 p.m. in Joe Rosenfield ’25 Center, Room 101.
Leach represented Iowa’s second district in the House of Representatives for 30 years and later served as chair of the National Endowment for the Humanities. Under his leadership, the NEH created a Bridging Cultures program designed to promote understanding and mutual respect for diverse groups within the United States and abroad. Leach is now chair in public affairs and visiting professor of law in the College of Law at the University of Iowa.
Students will perform at 4 p.m. in Bucksbaum Center for the Arts, Sebring-Lewis Hall.
Student performances include:
- "Choreography as Research" by Rosie Fuqua ’17, Ivy Kuhn ’17, and Taylor Watts.
- "Indo-Jazz Fusion from Banaras to New York," by Vincent Kelley ’17 and his band.
The daylong celebration will culminate in a Pub Quiz trivia night at 9 p.m. in Lyle's Pub, in the basement of the Rosenfield Center.
This will be Grinnell College’s first Celebrate Humanities Day, which is organized by the College’s Center for the Humanities.
Grinnell welcomes and encourages the participation of people with disabilities. Rosenfield Center has accessible parking in the lot to the east. Room 101 is equipped with an induction hearing loop system. The Bucksbaum Center has accessible parking at the south entrance. You can request accommodations from the event sponsor or Conference Operations and Events.
Taylor Watts ’16 had never danced before taking a salsa lesson during her New Student Orientation. She discovered she loved dance.
Her passion for French goes back a little further, to her sophomore year in high school. Watts is combining both passions in a Mentored Advanced Project (MAP), “A Choreographic Exploration of the ‘commerce triangulaire,’” under the direction of Celeste Miller, assistant professor of theatre and dance.
Watts had the idea for this MAP after several powerful academic experiences. One was a summer MAP in Atlanta, also directed by Miller, working with theatre and dance companies whose work addresses social justice issues.
Another was a semester abroad in Nantes, France. While there she learned about the history of France’s largest slave port in the 18th century in a course taught by a black Frenchman. “Why is it so much easier to study [slavery and race] in a different culture’s history? I was very interested in the class, but I wasn’t going to do anything with it,” Watts says.
When she returned to campus the next semester, Watts took a class on Caribbean authors from Haiti, Guadalupe, and Martinique with Gwenola Caradec, assistant professor of French. The impact of slavery on the Caribbean was a topic that spoke to Watts.
She says, “I really questioned doing it because I’m not French or from the Caribbean. Do I have the right to write about this? So I chose words directly from the text. Dance adds another layer of emotionality.”
“Taylor’s ‘Choreographic Exploration’ is a rich example of how dance, because of the undeniability of the body, can be a powerful and visceral use of the arts to examine complex and difficult topics,” Miller says. ”It is a choreographed embodiment drawn from research into both her topic and the aesthetic of the art form of dance.”
“Because of the emphasis spoken French places on connecting each word so that a sentence flows together, just listening to French I can visualize movement,” Watts says.
Watts was already planning the MAP when she heard about the France on Campus Award competition. She had just watched the film The Royal Tenenbaums, written and directed by Wes Anderson, one of the France on Campus Award patrons. The timing seemed auspicious. She won second place.
Watts will perform her work at 7:30 p.m. Tuesday, May 3, in Flanagan Studio Theatre in the Bucksbaum Center for the Arts. As part of her award, she also will receive mentoring from the French Embassy and from Kickstarter to raise funds that will enable her to perform the work on other U.S. college campuses.
Taylor Watts ’16 is a French and anthropology double major from Sacramento, Calif.