Hardcover catalog produced by the Metropolitan Museum of Art, text by Richard Shone. Philip and Janice Levin assembled a remarkable collection, primarily of paintings but also of works on paper and small bronzes, all by French artists or artists working in France between 1840 - 1954. 115 illustrations, including 50 colorplates, bibliography, index.
Combining traditional printmaking techniques with unique paper shapes, stamping and collage, Achepohl creates layered images that have an even more powerful effect in their unique installation. Achepohl, professor of printmaking at the University of Iowa, sees himself not only as a printmaker, but also a gardener and beachcomber. As a result of these roles and interests, Achepohl's work conveys a mood of reflection and contemplation. Images in the catalog include installation views in the Faulconer Gallery. Essays by Lesley Wright and Antonio Damasio.
Written and organized by Emil Stamey '01, this catalog represents one of the few comprehensive examinations Gross-Bettelheim. The exhibition was held in Grinnell College's Print and Drawing Study Room. Essays include: artist biography, Architectural Images, Social and Political Images, and A Shift in Style. Twelve images accompany the text. 2001.
Essays by Pamela Franks and Dave Williams, interview with the artist by Saadi A. Simawe. Checklist, biography, chronology, 41 color plates, 6 bl/wh photographs of the artist.
Curated by twelve students and Assoc. Professor fo Art, Susan Strauber, this catalog is the product of a semester-long seminar culminating in a four-week exhibition. The catalog includes eight essays by the student curators, a timeline of Goya's life and current events, and a selected bibliography. Essays are illustrated with 30 bl/wh reproductions. Checklist contains thumbnail images of all 80 prints.
For Phoebe Washburn's Faulconer Gallery installation in the summer of 2003, she recycled pieces used from a previous installation. Washburn created a 14-foot tall and 95-foot long curved wall using only small cardboard pieces, drywall screws, and the help of volunteers. To Washburn, her art breaks down the elements of construction to the most basic form. In her words, the process and completed object is so dumb - yet hopefully something amazing emerges from it. 2003.
SOLD OUT This catalog brings together photographs, drawings, and texts from several projects, including a 10-year endeavor in which Phelps' recorded all of her financial transactions; Walking Home, documenting a walk from Massachusetts to Maine; and Writers Trade, in which she exchanged drawings for texts by critics, curators, gallery directors, professors, and other writers inspired by her work.
SOLD OUT Angela Strassheim's first museum exhibition is also the first exhibition of any kind to include her Left Behind series in its entirety. The catalog, which reproduces all twenty-seven color photographs, includes an essay by Jean Dykstra.
Exhibition Date: 3 Feb 2006 - 17 Mar 2006
School Year: 2005 - 2006