Fredo Rivera '06, assistant professor of art history, recently presented a lecture on art, performance, and gender expression in the Americas at Wigwood, the inaugural drag festival of Miami, Florida. Dressed as his alias Lolita Cabrón, s/he presented theoretical perspectives from Latinx queer scholars and shared relevant examples of queer performance from the height of the AIDs crisis into the contemporary.
The Cultural Films Committee presents VIVA at 5:30 p.m. Sunday, Sept. 18, 2016, in Joe Rosenfield ’25 Center, Room 101.
A panel discussion with Fredo Rivera ’06, assistant professor of art history, John Petrus, assistant professor of Spanish, Jaclyn Abing ’17, Frank Barca ’17, Armando Perez ’17, and Nelson Schicke ’18 will follow the screening.
A Cuban-themed dinner buffet is included.
VIVA stars Héctor Medina as Jesus, a young hairdresser working at a Havana nightclub that showcases drag performers, who dreams of being a performer himself. Encouraged by his mentor, Mama (Luis Alberto García), Jesus finally gets his chance to take the stage. But when his estranged father Angel (Jorge Perugorría) abruptly reenters his life, his world is quickly turned upside down. As father and son clash over their opposing expectations of each other, VIVA becomes a love story as the men struggle to understand one another and reconcile as a family.
VIVA was a hit at the 2015 Telluride Film Festival and was Ireland’s entry for the Best Foreign Film Academy Award.
During Grinnell’s week-long fall break, 11 students in the Opera, Politics, and Society in Modern Europe course went to San Francisco with Kelly Maynard, assistant professor of history, to get an up-close look at how politics and culture influence the development of modern opera. Thanks to the generosity and enthusiasm of trustee Craig Henderson ’63, who opened his home and opera connections to the class, students spoke with opera singers, saw orchestral rehearsals, met with opera critics, and got exclusive backstage glimpses into set design and media suites.
“It really helped me put everything that we learned in class into perspective,” says Austin Schilling ’17. “You can read about how people used to make sets or how people designed opera houses 200 years ago, but you can’t get a real feel for it without seeing how everything operates with your own eyes.”
Students saw two live opera productions, The Magic Flute and Lucia di Lammermoor, at the San Francisco Conservatory and the San Francisco Opera House. Some were surprised at how different it was from watching operas on-screen. “Seeing an opera live in front of you and getting to analyze it on the spot with your classmates gives you a completely new perspective,” says Sam Hengst ’18.
What students didn’t expect was the opportunity to meet with the director of the San Francisco Opera, David Gockley, who made time to meet with them during one of their tours. With half a semester of in-class study and a rigorous week of immersion in the world of opera under their belts, students were prepared to ask Gockley questions that helped them to discover the modern parallels to what they learned in class.
“We got to see firsthand that the history we’re studying in class is alive and functioning today and is still as rich and complex as it was 200 years ago,” says Elizabeth Allen ’16.
“I think my biggest take-away from this experience is that you need to look at things from many different angles,” says Hengst. “When we do readings, we’re so used to just thinking about things in one way, but on this trip we saw that the world of opera is complex, from the actors and singers to set design and the use of technology. It’s a network, and we couldn’t have gotten such a great understanding of that from just reading about it.”
Through learning about the many complicated components that go into an opera production, these students discovered aspects of opera that they had never expected to be interested in. Allen even discovered an area that may turn into a topic of future research — the way globalization and art collide in modern opera.
“Thinking about The Magic Flute, which is an 18th-century Viennese opera, translated into English in the 21st century by David Gockley, using set design that includes the aesthetics of contemporary Japanese ceramics … it’s something global and contemporary, but still rooted in the past,” Allen says. “Seeing that was a really pivotal experience for me, and I realized that that’s the way I want to look at things in the future.”
For Allen and the other students in the class, learning about the many factors that contribute to opera opened their eyes to viewing things differently and looking beneath the surface of a finished product, a skill that will benefit them no matter what field they go into.
Sam Hengst '18 is a German major from Madison, Wis.
Elizabeth Allen '16 is from Santa Fe, N.M., and is an art history major.
Mentored Advanced Projects
Art history majors are encouraged to pursue, with faculty guidance, a Mentored Advanced Project, or MAP (ART 499): the preparation, writing, and public presentation of a piece of advanced art-historical research in any area of art history. Previous MAPs include the following:
(2015) — “Early Sonia Delaunay: The Avant-Garde at Home" (Eliza Harrison) Co-Winner of Phi Beta Kappa, Beta of Iowa, Scholar's Award, Spring 2016
“Against Reason: Anti/Enlightenment Prints by Callot, Hogarth, Piranesi and Goya,” an art exhibition exploring the darker side of the Enlightenment, also known as the Age of Reason, opens Friday, April 3, at the Faulconer Gallery, Bucksbaum Center for the Arts.
Beginning in the mid-seventeenth century, Enlightenment thinkers in Britain, France, and elsewhere in Europe began to question religious and political authority, embracing the notion that humanity could be improved through critical reasoning. The Enlightenment produced scientific discoveries, legislative reform, pioneering philosophical texts, wars, and revolutions. It also supported the institution of slavery.
Featuring prints by Jacques Callot, William Hogarth, Giovanni Battista Piranesi and Francisco de Goya y Lucientes, "Against Reason" examines the dangers of secularism, nationalism and a scientific method that dismisses rather than exalts the qualities that make us both human and humane.
The exhibition, which is free and open to the public, was curated by Timothy McCall ’15, Maria Shevelkina ’15, Dana Sly ’15, Emma Vale ’15, Elizabeth Allen ’16, Mai Pham ’16, and Hannah Storch ’16. The students worked under the direction of J. Vanessa Lyon, assistant professor of art history, during a fall 2014 exhibition seminar.
"With Good Reason: Conversations, Celebration and Music" will be held at Faulconer Gallery at 4:15 p.m. Friday, April 17, featuring the opportunity to speak with student curators and hear music from the Enlightenment period. Faculty members from the departments of philosophy, English, and French will join student curators in a roundtable discussion on the themes of the exhibition at 4:15 p.m. Tuesday, April 28, at the gallery.
"Against Reason" will be on view through Sunday, Aug. 2. The Faulconer Gallery is open from 11 a.m. to 5 p.m. daily. This exhibition includes a loan of four prints from Legacies for Iowa: A University of Iowa Museum of Art Collections Sharing Project, supported by the Matthew Bucksbaum Family.
Grinnell welcomes and encourages the participation of people with disabilities. Bucksbaum Center for the Arts has accessible parking in a lot behind the building just north of Sixth Ave. Accommodation requests may be made to Conference Operations.
Jenny Anger, associate professor of art history, discussed German Expressionism in America, exploring how two world wars and cultural francophilia bear some responsibility for the uneven American response to this early 20th-century movement in the arts. View the full story, Anger Redefines German Expressionism, in the Scarlet & Black, the Grinnell College student newspaper.
The Department of Art and Art History will host its third annual reception at the College Art Association Conference in New York on February 12, 2015. We are proud to be one of the very few liberal arts colleges hosting its own reception. Faculty and alumni will gather over a glass of wine to catch up, discuss the conference proceedings, and celebrate the Grinnell faculty and alumni who are participating in the conference. Please join us!
Two recent art history grads move forward in their post-B.A. professional lives.
This summer Tianhan Gao ’11 (left) …
…became the associate cataloguer for the Classical Chinese Paintings Department at the art auction house Sotheby’s International in New York. Tianhan came to Grinnell in 2007 as an international student from China. She double-majored in bio-chemistry and art history. After graduation she took an internship at Samuel T. Freeman & Co. Auctioneers in Philadelphia, and then worked her way up to department assistant, property manager, and associate specialist of Asian art in three years before being hired this summer by Sotheby’s.
This fall José Segebre ’09 (right) …
…begins an M.A. program in curatorial studies at the Städelschule and Goethe Universität in Frankfurt, Germany. José came to Grinnell in 2005 as an International Merit Scholar from Honduras without (in his words) “the slightest idea that he would leave with a degree in art history.” He has since been involved with different art projects in Mexico City, his city of birth, and a self-sustainable art community in Portugal, and has also worked as assistant curator at the exhibition hall for contemporary art, Portikus, in Frankfurt. He is currently helping to organize an international symposium about contemporary Muralism that will take place in October at the cultural center riesa efau in Dresden, Germany.
Katherine Rochester ’06 and Julia McHugh ’07 were selected for the inaugural session of the Center for Curatorial Leadership/Mellon Foundation Seminar in Curatorial Practice, held in New York City.
The program identified 16 art history Ph.D. students with the potential to become leaders in the museum world and provided curatorial and leadership training.
Rochester is a Ph.D. candidate in art history at Bryn Mawr College; McHugh is a Ph.D. candidate in art history at the University of California-Los Angeles.
Sample catalogue pages