The Faulconer Gallery presents exhibitions of regional, national, and international artists throughout the year in 7,420 square feet of state-of-the-art exhibition space at the heart of the Bucksbaum Center for the Arts. Exhibitions in the Print and Drawing Study Room and Burling Gallery, located on the lower level of Burling Library, focus on objects in the Grinnell College Art Collection as well as objects directly related to Grinnell College classes during the spring and fall semesters.
Catalog for the exhibition From the Book Forest: Commercial Publishing in Late Imperial China, featuring works from the C.V. Starr East Asian Library, University of California, Berkeley. With an essay by Deborah Rudolph, Guest Curator.
Hardcover catalog produced by the Metropolitan Museum of Art, text by Richard Shone. Philip and Janice Levin assembled a remarkable collection, primarily of paintings but also of works on paper and small bronzes, all by French artists or artists working in France between 1840 - 1954. 115 illustrations, including 50 colorplates, bibliography, index.
For Phoebe Washburn's Faulconer Gallery installation in the summer of 2003, she recycled pieces used from a previous installation. Washburn created a 14-foot tall and 95-foot long curved wall using only small cardboard pieces, drywall screws, and the help of volunteers. To Washburn, her art breaks down the elements of construction to the most basic form. In her words, the process and completed object is so dumb - yet hopefully something amazing emerges from it. 2003.
Essays by Pamela Franks and Dave Williams, interview with the artist by Saadi A. Simawe. Checklist, biography, chronology, 41 color plates, 6 bl/wh photographs of the artist.
Combining traditional printmaking techniques with unique paper shapes, stamping and collage, Achepohl creates layered images that have an even more powerful effect in their unique installation. Achepohl, professor of printmaking at the University of Iowa, sees himself not only as a printmaker, but also a gardener and beachcomber. As a result of these roles and interests, Achepohl's work conveys a mood of reflection and contemplation. Images in the catalog include installation views in the Faulconer Gallery. Essays by Lesley Wright and Antonio Damasio.
Inspired by the end of the Soviet occupation in 1994, Kay Wilson, Curator of the Print and Drawing Study Room, and John Mohan, Professor of Russian, traveled to Estonia to discover art that reflected major social and political change. They found art inspired by Estonian history and landscape indicating a powerful national renewal. The exhibition and catalogue represent the works of 17 Estonian artists and one artist collective, Studio 22, through individual biographies and color reproductions.